Jean-Paul Lallemand, inspiré par plusieurs cultures a fait de nombreuses expositions dans le monde.  Sa démarche artistique nouvelle et unique s’est forgée au cours des ses voyages à la rencontre entre deux continents l’Afrique, l’Asie. Dans son travail il associe diverses techniques : huile sur toile, encre de chine, pastel, couleurs éclatantes et sensuelles émaillées de signes chargés de symboles.

 Exposition “Fulgurance et onirisme” de Jean-Paul LALLEMAND du 13 décembre 2008 au 31 janvier 2009 au SOFITEL AGADIR : seront présentées 37oeuvres de l’artiste dont 24 dessins a l’encre de chine et couleurs, 12 peintures sur toiles inspirées d’un voyage au Sahara marocain.

Biographie

Jean-Paul Lallemand, est né le 6 avril 1946 à Biarritz, son père ayant monté une entreprise textile en Afrique en Cote d’Ivoire en 1929, il a vécu une grande partie de son enfance en Afrique. Il suit les cours de l'école des beaux Arts d'Abidjan dont il est Diplômé (DNBA) et a également suivi les cours des ateliers de Penninghen et Jacques Dandon durant deux années.

A l’âge de 24 ans, il part vivre à Kairouan en Tunisie et débute sa carrière de peintre. Puis suivra le Gabon où il est professeur à l'école nationale des Arts et Manufacture et occupe le poste prestigieux de décorateur des musées nationaux puis plus tard le poste de Conseiller technique de l'artisanat d'art en cote d’Ivoire. Les voyages et la terre d’Afrique ont modulé sa sensibilité à tout jamais en installé dans ses toiles la lumière de ces contrées où la poésie des êtres et la magie magnifient ses créations et leur donne une dimension fantastique prêtant au rêve. 

Published 15/04/2024 - Born in France in 1921, Françoise Gilot was a remarkable artist whose expansive oeuvre bridged twentieth-century avant-garde and contemporary aesthetics.  After completing a degree in English literature in 1938 and briefly attending law school, Gilot began her formal artistic education. In 1941, she began studying with Hungarian painter Endre Rozsda and took classes at the Académie Julian. Two years later during her first gallery exhibition, Gilot met Pablo Picasso. The pair maintained a relationship from 1946 until 1953, during which they had two children, Claude and Paloma.

Black and white photograph of Gilot working at the Tanstone Group in LA, 1971. Image courtesy of The Philip and Muriel Berman Museum of Art.

Around 1946, Gilot deserted oil paintings in favor of graphite, and occasionally gouache, on paper. Gilot's early drawings can be seen in the exhibition and range from portraits and still lifes to abstract works in which she explored formal and symbolic transformations obtainable from simple forms. Gilot began accompanying Picasso to Fernand Mourlot's Atelier in 1950, where she became the first woman to make lithographs in the acclaimed studio—Gilot continued printmaking with Mourlot for decades.

Influenced by Picasso and Braque, Archipenko developed a sculptural form of Cubism using interlocking and overlapping solids and sculptural voids to show various views of the figure simultaneously. Archipenko was interested in breaking the figure into geometrical forms and, like the Futurists, sculpted figures in motion.

Archipenko's legacy of experimentation is characterized by an unconventional mix of materials such as metal, wood, glass, wire, and paint and mixed media works combining bronze, granite, and turquoise. In 1924, he invented and patented the Archipentura, a new kinetic painting/sculpture mixed media art form.

Anna Weyant Biography

Born in 1995 in Calgary, Alberta, Canada, she is one of the most talented artists of her generation - Thanks to Larry Gagosian, great talent discoverer she is taking an important place among the great creators of our time.

Lives and works in New York, NY.    -   https://gagosian.com/

About Anna Weyant

The hapless subjects of Anna Weyant’s indelible paintings and drawings are recurrently tested by everyday circumstances, weathering what the artist has described as “low-stakes trauma.” In these precisely rendered scenes, figures—most often young and female—find themselves embroiled in tragicomic narratives with an ironic twinge, offering a dreamlike insight into the capacity of popular culture and social convention to manufacture and distort gestures, rituals, and signifiers of femininity. But far from presenting her protagonists as merely symbolic, Weyant remains sensitive to their human idiosyncrasies and contradictions, picturing characters who are endearing, mysterious, and wholly themselves. In her crystalline still-life compositions, meanwhile, everyday objects adopt an uncanny, portentous air.

Weyant was born in Calgary, Canada, in 1995. After earning a BFA in painting from the Rhode Island School of Design, she relocated to New York, then studied painting at the China Academy of Art in Hangzhou. Moving back to New York, she worked as a studio assistant while pursuing her own practice. Among her first exhibited works is a sequence of darkly cinematic canvases depicting a dollhouse—modeled after one that she owned as a child—and its young female inhabitants. A later series deconstructs the appearance of American suburbia in Lifetime’s made-for-television movies, casting it as a surreal realm in which violence and disaster lurk just beneath the surface. In her still lifes, Weyant depicts fruit, flowers, and other items in a similarly unsettling light; Lily (2021), for example, juxtaposes the titular bloom with a revolver bound in gold ribbon.

In these and other works, Weyant employs a somber, muted palette of deep greens, dusty pinks, and deep black. She also draws on art historical and present-day influences, from seventeenth-century Dutch masters such as Frans Hals and Judith Leyster to twentieth-century mavericks like Balthus to contemporary painters Jennifer Packer and Ellen Berkenblit. As revealed in her contributions to group exhibitions including and I will wear you in my heart of heart at FLAG Art Foundation, New York (2021); Artists Inspired by Music: Interscope Reimagined at the Los Angeles County Museum of Art (2022); and Women of Now: Dialogues of Memory, Place & Identity at the Green Family Art Foundation, Dallas (2022), Weyant displays a deep understanding and appreciation of her work’s roots and parallels while eliciting an immediate and emotional response.

Culture Art & Vision X Lapostroff - Studio Kallico
Pour ce nouvel épisode de Culture Art & Vision X Lapostroff, nous vous emmenons à la rencontre de Lionel Sourisseau, plasticien peintre au style singulier. ?? ?? ??

Amoureux de couleurs chaudes et de poésie, Lionel Sourisseau a trouvé sa voie en passant de la peinture traditionnelle à la peinture acrylique. En posant un regard coloré sur le monde, ses œuvres étincelantes et bigarrées suscitent la curiosité et stimulent l'imaginaire.

Plus d'informations
Lapostroff (Espace de création artistique, artisanal et associatif de la Ville de Malakoff & Plateau Urbain : https://www.lapostroff.fr)

Réalisation : Sylvestre Bary
Musique : Benk Digga

Un projet Culture Art & Vision - 2020 - https://www.culture-av.fr

Isabel Margarita Haeussler´s pictorial work

The pictorial work that Isabel Haeussler has developed during the last thirty years started from figuration to slowly approach abstraction. Considering that at first her work focused on the observation of her environment, it is not surprising that current images evoke spatialities.  An atmospheric effect is very visible in them, as if they had some kind of relationship with the landscape.

Her use of language appears in the articulation of contrasts: there are antagonisms between smooth and rough, fast and slow, transparent and opaque, color and monochrome, light and shadow. This richness is shown by a gesture that is not hidden. The insistence of her hand, the trajectory of her gestures is marked by the imprint of her brush.

Pablo Ferrer

Profesor y director Magister Artes Visuales

Facultad de Artes

Universidad de Chile