Richard Taittinger Et Yoyo Maeght
ont le plaisir de présenter la première exposition Jacques Monory à New York
Richard Taittinger Gallery
Exposition Jacques Monory du 12 janvier au 23 février 2018
+1 (212) 634-7154
154 Ludlow St, New York, NY 10002, USA
Pari réussi !
L’exposition remporte déjà un immense succès
et s’annonce comme l’uns des évènements majeurs de la rentrée newyorkaise.
Pour la première exposition Monory aux USA, d’immenses toiles ont envahi les murs de la Richard Taittinger Gallery qui a choisi de présenter une sélection rétrospective de peintures de cet artiste français cofondateur de la Figuration Narrative.
To celebrate Jacques Monory, who is newly represented by Richard Taittinger Gallery, the Gallery is thrilled to present the French artist’s first solo exhibition in the United States.
The show presents a selection of Monory’s paintings from the last four decades.
Throughout his prolific career, he has been celebrated as a pioneer of the 1960’s French movement, Narrative Figuration.
His work, along with the movement, was developed out of an opposition to the informal painting that typified the era.
Not to be mistaken for Pop Art, Monory has said; “What has developed in France has moved away from American Pop Art, we have expressed a critical narrative of society while the Americans have almost always, in my opinion, embraced their system.”
Jacques Monory (b. 1924) is a French painter and filmmaker whose work, highly influenced by photography and cinema, is an allegory of the contemporary world with a focus on the violence of everyday reality. His canvases evoke a heavy atmosphere, pulling subject matter from modern civilization through the lens of his signature monochrome color blue.
Monory was first exhibited at the Drouant-David Gallery in Paris in 1952. During the 1960s, he became one of the leading figures of the European movement of Pop Art, called Narrative Figuration by the art critic Gérald Gassiot-Talabot. Monory would say: “What has developed in France has moved away from American Pop Art, we have expressed a critical narrative of society while the Americans have almost always, in my opinion, embraced their system. This is a fundamental difference.”
In 1968, he directed the influential film Ex- and painted the series Les Meurtres (Murders), putting in place the elements that would characterize his work: the division into sequences, the distancing by the use of the blue color, the dream, the illusion, but also a critical look at society.
In 1971, Pierre Gaudibert curated a solo exhibition, Monory Catalogue 1968- 1971 at the Modern Art Museum of Paris which heightened his visibility, making him instantly recognizable. Two trips to the United States in 1969 and 1973 were vitally important to his personal and artistic history; it constitutes, from photos, a repertory of forms, images, and notebooks of models. In 1974, he joined the legendary gallery of Aimé Maeght, where he would exhibit, including his Operas Glacés (Frozen Operas).
In 1986, he exhibited at the 42nd Venice Biennale, and in 1992, he was the featured artist of the French Pavilion at the World Expo in Seville. In 2005, his work inaugurated the MACVAL in France with Detour, a large spiral installation of his paintings. In 2008, Jacques Monory was highlighted in the retrospective exhibition Figuration Narrative, at the Grand Palais in Paris. In 2015, a solo retrospective, Jacques Monory, took place at the Helene & Edouard Leclerc Fund for Culture in Landerneau, France.
His work is included in the permanent collections of Pompidou Center, Paris, France; The Museum of Modern Art, Paris, France; Museum of Modern Art and Contemporary Art, Geneva, Switzerland; Museum of Modern Art, Fukoka, Japan; the Maeght Foundation, Saint-Paul de Vence, France; National Museum of Fine Arts, Havana Cuba; the Leeum, Samsung Museum of Art, Seoul, South Korea; the Ludwig Museum, Cologne, Germany; the Museum of Solidarity Salvador Allende, Santiago, Chili; the Stedelijk Museum, Amsterdam, Holland; and the Museum Colecção Berardo, Lisbon, Portugal.